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Vocal Score(s):	CH76120	Vocal Score(s):	Not available

Reviews

• Written for Exeter Cathedral and already in the repertoire of other cathedral choirs, this straightforwardly melodic, tonal setting does not divide the voices and could be learnt and sung enjoyably by any church choir with, for example, the Byrd Mass for Four Voices in its repertoire. Although there are no soloists, the composer frequently uses individual choir sections for brief quasi-solo passages, contrasting with full SATB. The Osannas at the end of Sanctus and Benedictus will sound breathtaking in a resonant acoustic.
  , Royal School of Church Music, 01/09/2011